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FIVE SEX ROOMS AND A KITCHEN The film is a platform for the women to voice their views. For example, Lady Tara on herself: "I have had so much sex in my life. It wasn't special. It was nice at the moment. It was interesting too, and altogether wonderful. But there is nothing holy to it. It's simply like drinking coffee with somebody or having a nice conversation. ... To be accurate, I'm also using somebody. What is so holy with a pussy? Or a dick? It's all exaggerated." And on society: "... exploitation of the girls. It exists, I never denied it. ... Simply, take a prostitute or whore as she is, or leave her as she is. If she is happy, it's fine. And if she is unhappy, the state isn't responsible. Many women are unhappy in marriage. Marriage isn't abolished for this. All over the world there are people who should be protected because they are unable to make clear decisions." The film indulges in some embellishments to the documentary reality. Colors and motions are wildly processed, especially in the hall scenes. The film reveals the expressive power of shoes. The whores dance a ballet of dominance, artifice, and pleasure.
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